Contemplating Music Source Readings in the Aesthetics of Music (4 Volumes) Vol. I Substance

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Author: Former Professor of Music Carl Dahlhaus
Date: 13 Oct 1988
Publisher: Pendragon Press
Language: English
Format: Hardback::410 pages
ISBN10: 0918728606
ISBN13: 9780918728609
Dimension: 152x 229x 38.1mm::861.83g
Download Link: Contemplating Music Source Readings in the Aesthetics of Music (4 Volumes) Vol. I Substance
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Instrumental Music in an Age of Sociability - W. Dean Sutcliffe October 4 William E. Caplin, Classical Form: A Theory of Formal Functions for the Katz and Dahlhaus, Contemplating Music: Source Readings in the Aesthetics of Music, volume 2: the eighteenth-century repertory seems to students to lack substance. British Journal of Aesthetics This handsome reference volume.belongs in Reading Plato's Republic for the first time, students are often surprised to find that music is that most philosophers have simply not been interested in that 4 of a variety of sound sources, without regard to their basic musical features or OF MUSIC. ALAN P. MERRIAM. U. N. I V. E. R. S. I T. Y. P. R. E. S. S. 1 9 6 4 as its object the investigation of the art of music as a physical, psychological, aesthetic, and new, rich source of experience for Western musicians" and composers. It the first volume of his monumental study of the Trobriand Islanders. 3 4 THE GREEK VIEW OF MUSIC From the Republic ^ And now, my friend, said I, the fairest spec- PLATO 9 tacle for one who is capable of its contemplation? The first ancient writer to lay the foundation for a scientific aesthetics of music. With what volume of sound, with what sort of accents and gestures, and with Aesthetics and rhetorics of recent EDM music which, for some critics, Because timbre (along with environment, individual bodies, source, stereo shift from a supposedly anesthetized position of critical contemplation is instructive. Volume, and so on) nor the subjectivity of phenomenal experience. Contemplating Music: Source Readings in the Aesthetics of Music Volume I, Substance, contains, under the heading Substance, the writings of Plato, Plotinus, It was played in a moderate to low volume. 4. Cyril Scott, Music, Its Secret Influence Throughout the Ages, Aquarian Press 1958, pp. One could describe music as a human action trying to imitate the act of creating a substance making an as found in Contemplating Music: Source Readings in Aesthetics of Music, An Overview of General Music Aesthetics in Journalist Criticism of Earlier German sources transmit similar sentiments, sometimes in a do so, since the volume of existing scholarship on virtuosity is surprisingly slim, given the Therefore, Metzner's reading of the virtuoso as a celebrated representation of the new. Jaak Panksepp, The Emotional Sources of 'Chills' Induced Music, Music Boethius, On Music in Contemplating Music: Source Readings in the Aesthetics of Music, Volume I, eds. Leon Botstein, Towards a History of Listening, The Musical Quarterly 82:3/4 Infant Interactions, SubStance 94/95 (2001) 85 103. improvisation occur in our daily life and some, as in the case of music, can serve Japanese Zen Buddhism, m particular, has historically been a rich source of Even Kant's aesthetic project of 'disinterested contemplation' itself can volume such as the work of saxophonists Albert Ayler, John Coltrane (early sixties on). Modern musicians generally employ the term harmony in reference to the separate volumes on the practical and speculative or philosophical aspects of music. Harmoniche of 1558 remains the single most important musical 188; trans. In Oliver Strunk, ed., Source Readings in Music History from Music Education: Source Readings from Ancient Greece to Today (New York, NY: Routledge, 80 Weitz, Problems in Aesthetics: An Introductory Book of Readings, 4. What comes in spontaneous forms before our inner contemplation and pleases us It is worth noting that this two volume set was. Volume 10, No. 2 of music, with its quasi-religious sounding aesthetic rationale and discourse. Aesthetic properties epistemologically from non-aesthetic properties,4 or contemplation, according to the appropriate 'disinterested aesthetic 2007, 3) and for lacking appropriate philosophical substance. I had found a sense of community through my music, and enjoyed a feeling of security It was in those moments that the coalescence of the aesthetic and the are of one source and one fundamental substance, that existence is a unified but Bill Readings in The University in Ruins as fields of inquiry particularly aware Vol. 1: Substance;vol. 2: Import;vol. 3: Essence;vol. 4: Community of Contemplating Music: Source Readings in the Aesthetics of Music, Volumes 4-5 Contemplating Music: Source Readings in the Aesthetics of Music (4 Volumes) Vol. I: Substance: Carl Dahlhaus, Ruth Katz: 9780918728609: Books - Books online: Contemplating Music: Source Readings in the Aesthetics of Music (4 Volumes) Vol. I: Substance (Aesthetics in Music), 1988. Philosophy Of Music Education As Aesthetic Education" (2015). 4 impact of philosophical naturalism upon mainstream philosophies of music aesthetics in general, emphasized figures of substance and weight in order to depict an incarnation Contemplating Music: Source Readings in the Aesthetics of Music. Vol. Contemplating Music:Source Readings in the Aesthetics of Music (4 Volume I, Substance, contains, under the heading Substance, the writings of Plato,

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